I didn't want to play it boring and safe. I also didn't want to innovate too much. Second albums, man, they're even scarier than first ones.
Last I checked, the album was #82 out of the top 200 on the Billboard charts thanks to you all. I pray that keeps moving up and with your help it will.
He is not in the least arrogant. The last album was written in a room in Sussex. He was like a mad professor, spending all day writing and then coming out with brilliant tunes.
I mean whatever I do it's important that I put my stamp on it and keep it in my world, whether I'm doing a dance track or something like the Russian album for example.
I guess when we were up against it, we knew this album was going to be compared to all the classic early material, because it was going back to the original five.
The bar was very high-we had to really make sure that we got what we really wanted, that it was a real finished album. We weren't going to give up until we got that.
That's why it's called Sebastian Bach. I mean, it's a permanent band, pretty much, but if I jam with other people, it just makes a better album, I think.
If you're looking for a deep album or you're looking for me to talk about past situations, it's not even about that. It's just 14 hot records that are gonna make you dance.
I'm a sensitive guy. If you are a woman and you're in any kind of emotional duress and you write a song about it, I'll buy you album.
I wanted to do the whole album in black and white, and it really killed me that when you see it in the light it's got green in it. I don't know what the hell that was about.
The album requires a certain focus of mine that I can't really explain - let's just say it's all I can really do while I'm doing it.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.
But thankfully, my first album, 'Wide Screen,' was sort of a critics' darling - everyone raved about it, but no one bought it. They only manufactured 10,000 copies; I wasn't even in the running for failure!
What ends up in your scrapbook? The pictures where you look like a good guy and a good family man, and the children look adorable - and they're screaming the next minute. I've never seen a family album of screaming people.
We fought during 'The Wall,' which was an album Waters wrote, based on his family story, we clashed long before that, during the period of the Dark Side and 'Wish You Were Here.' Actually, we never got along.
If you don't tour, you cannot expect to sell a huge numbers of your albums either. It was both a business - and an economical decision and we wanted to play anyway. We just wanted to get out for the tour when it was safe enough for us.
You're always frustrated, you don't have the chance to do a song on the album, like the Beatles did with Ringo and George, or like Led Zeppelin, where everybody was given a chance to contribute. There never is a chance with the Stones.
I think we all attract troublemakers; I don't think it's particularly about anyone. I had it actually as an album title, and I thought it would be really cool to write a song about a girl that's a bit of troublemaker.
When you spend two to three years working on an album that I feel very happy with the end result, there is nothing I would change. Musically, I have achieved what I set out to do.
It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leade...
