It would be easy to assume that the open letter is a symptom of the Internet age. Such is not the case. In 1774, Benjamin Franklin wrote an open letter to the prime minister of Great Britain, Lord North - a satirical call for the imposition of martia...
I accepted the role of spokesman for Lipitor because I am dedicated to the battle against heart disease, which killed my father at age 62 and motivated me to become a medical doctor.
Grandchildren have taught me how important the future is. I try to look through their eyes and envision what's in their imagination. What's the world going to look like when they're my age? That really does take a huge imagination.
Here's my theory: If a person gets worldwide fame at a young age, they're emotionally frozen at that moment. For me, that's 15 to 18, so you find yourself in your mid-20s being a glorified 15-year-old. What could possibly go wrong?
Libraries have a PR problem - or at least that's what they call it when no one under the age of 40 walks through the door. To bring in a younger crowd, the paper pushers have turned to tech to bring in the public. DVDs, CDs and, yes, even videogames ...
People don't understand being a child star is very hard because first off, to be a child star, you have to be very unique. These kids are talented to be able to do it at such a young age. At the same time, you go through the pressures of bullying and...
I'm 77. The only reason I'm ever shy about it is that people tend to think of you in terms of what they think that age is. I certainly don't feel any different than I did when I was 35, and my energy seems to be more than it was then.
I have nothing against younger women and older men on screen. What is sad is that so many women over 40 who have so much to give aren't being considered to play opposite men their own age or younger.
By the age of 18, I was very fat. My dad would say there's a Spall fat gene. But I was fat because I ate loads. I used to go and buy six or seven chocolate bars and eat my way through them.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
Most fears are basic: fear of the dark, fear of going down in the basement, fear of weird sounds, fear that somebody is waiting for you in your closet. Those kinds of things stay with you no matter what age.
I don't find the technology threatening. A lot of people my age, my generation, find it difficult to immerse themselves. But I would never preclude the idea of using any technology if I thought it suited the end result.
I think it'd be wonderful if we could train young girls to be active in lots of ways and that they then wouldn't have to age at the same rate that they would if they were not more active. In other words, more physical fitness and not just the sporty ...
I was working in Camden Lock market from the age of 13 to 16, and people often suggested that I should be a model. I knew a girl working on a stall who was with Take Two model agency, so I decided to go along, and they took me on.
My body is like in a computer for good for the rest of my life - at age 23. I have my cyber body so if they ever need me young again I can just go, 'It's in the computer.'
In this knowledge-worker age, it's now increasingly tied to doing well in school so you can get into better grad schools so you can get better jobs - so the pressure to do well is really high.
I taught myself to read music at a very young age, so when I started to take lessons in school, the teachers used to give me other instruments to keep me busy, because I was more advanced than the other kids.
I grew up in the suburbs among highly educated people, in a house crammed with books. It was a culture rich in ideas, stimulation, entertainment, and mental activity, all helpful to the nurture of an imaginative child who wanted from an early age to ...
I'm excited about how books work in a digital age. When you read a book, unlike a film, you are decoding symbols in order to 'see' the story, so it is collaborative in a way that a film can never be.
I have worked very hard on being aware of my childhood but moving forward and not letting it bring me down emotionally. That is a hard thing - especially when you have children of your own and you remember what happened to you at that age.
Like so many others, I came to romance during the golden age of it - Judith McNaught, Julie Garwood, Johanna Lindsey and Jude Deveraux were at the height of their historical domination. Without those women, I wouldn't be a romance novelist.
