After years of research, I discovered 25 differences in the work-life choices of men and women. All 25 lead to men earning more money, but to women having better lives.
When I was 26 or 27, I gave up journalism. I came to England after my mom died, to let serendipity take its course. And I just found myself back in journalism again.
I remember, my mom didn't have any help, so if she needed to be somewhere after school, we'd just go down to the neighbors' and she'd give us a snack and make sure we did our homework. There weren't any latchkey kids.
After marriage, a woman's sight becomes so keen that she can see right through her husband without looking at him, and a man's so dull that he can look right through his wife without seeing her.
TV does a thing that film can never do. It takes you to a place that no novel written after the late 19th century can. You can just go through people's lives; it's like a marriage.
They allow us to disrespect our Black woman. A lot of these things would be considered criminal if it were to be carried out in the streets. That's like when they tell you after you buy your VHS and you rent movies they tell you not to copy the movie...
Even the very youngest children already are perfectly able to discriminate between the imaginary and the real, whether in books or movies or in their own pretend play. Children with the most elaborate and beloved imaginary friends will gently remind ...
I decided to be an actress, and the day after, I was an actress. That was quick and very scary at the same time. When 'Obscure Object of Desire' came out in France, I felt guilty for my friends at the National School who weren't in the movies. The wh...
A few years after 'Melrose Place,' when the luster of 'Melrose Place' wore off and what was left was just the stink, and I was just doing bad TV movies, that was a personal low point. I felt I needed to stop doing those, and I did.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget...
Film-makers are always going to be interested in making movies that plug into society around them. That's what a vibrant, artistically alert community should be doing. After all, it would be sad if we only made films about alien robots.
The independent-minded movies - it's always an uphill battle to get them made and seen. You do what you can, and go out there after and try to tell people about it, but at the end of the day, that's all you can do.
After I was fired from Disney, I did some of the worst movies ever made and I got professionally involved with a manager who said it didn't matter what you did as long as you kept working. I wound up completely broke.
Selena: [after she and Jim have been taken in by Frank and Hannah] They probably need us more than we need them.
Bernadette: [after Felicia tells Bernadette about her ABBA story] What are you telling me? This is an ABBA turd?
Pepe: Art sure is ugly. Neil: Shows how much you know about art. The uglier the art, the more it's worth. Pepe: This must be worth a fortune, man.
Paul Hackett: Boy, I'm sorry. I guess I've really been runnin' you through the mill tonight. Marcy: It's okay, I'm used to it.
[after Delta house is closed] Doug Neidermeyer: How does it feel to be an independent, Schoenstein? Boon: How does it feel to be an asshole, Neidermeyer? Doug Neidermeyer: What'd he say?
Bluto: [after chugging a whole bottle of Jack without a pause for air] Thanks. I needed that. [chucks the bottle behind him, which shatters on the hood of the car behind him]
Teddy Brewster: [after charging up the stairs] Charge the blockhouse! Reverend Harper: Blockhouse? Aunt Abby: Yes. The stairs are always San Juan Hill.
Mortimer Brewster: Wait outside. Dr. Gilchrist: But it's Halloween! Mortimer Brewster: Oh, don't worry about Halloween. The pixies won't be out till after midnight.
