I was born after the Civil Rights Movement. I never saw Martin Luther King alive.
Literature simply becomes richer after you've been fired, rejected, stranded, or had to change a few midnight diapers.
I think I've definitely found a niche working in comedy, but dramatic films are what brought me here. After I saw 'Titanic' in the theater, I got the bug.
Conquer your neighbourhood, conquer your city, conquer your country, and then go after the rest of the world. That's my mantra.
People often associate complexity with deeper meaning, when often after precious time has been lost, it is realized that simplicity is the key to everything.
After the first couple of years recording, I did a lot of praying. I said, 'Lord, please give me a hit.' I want one so bad.
After a while, you start to realize that you should write a book you would want to read. I try to write a book I would enjoy.
From the great Jack London: “You can’t wait for inspiration. You have to go after it with a club.” What inspires you?
After working for years, in the end days, people realize its peace for what they have worked for all those years by loosing the peace.
I know the pain of having to deal with terrorism. And that's why, after 9-11, I was one of the first to join the international coalition to fight terrorism.
I'm still a member of the Empire! Although I sometimes feel like an American with a British accent - you get contaminated after so long.
Doing that hunt scene was really quite demanding. I actually broke a rib during that scene. And then all the scenes after that became quite challenging, just breathing and laughing.
I felt very vulnerable after 'Sleeping with the Fishes'; I gained weight for the role. I felt a bit out of my skin in the movie, and it was hard to watch.
My husband, Clay Felker, died 17 years after his first cancer due to secondary conditions that developed from treatment.
I'll usually see a scene in my head, playing like a movie trailer. After I've written that scene, everything takes off from there.
After 27 years, I walked out of my first one a few months ago. Black Sheep with Chris Farley.
I think there's a lot of merit in an international economy and global markets, but they're not sufficient because markets don't look after social needs.
After my grandfather began to be successful, he returned to the village where he was born and founded a primary school.
Nothing is more misleading to the youth of a nation than to state the outcome immediately after the beginning as if nothing could have taken place in between.
Day after day, I spent long afternoons in the talent pool, being told how to walk, how to talk, how to sit.
I've got some real diehards down in New Zealand; I look after them and make sure they always get tickets.
