Most women are not programmed to prefer a great career to a great man and a family. They feel they were sold a bill of goods at college and by the media.
I am in awe of women who have full family lives and seem to work round the clock in the 24/7 news cycle.
It's kind of like family. I can't say that we go out to lunch and to the movies every day with each other. Everyone's fully grown adult women with lives.
I come from a family of working women, my mum went to work two weeks after I was born - my parents had no money, there was no choice.
I work in areas related to child protection and family safety, women's empowerment, the creation of opportunities for youth, and culture and tourism. Daunting? Yes. Impossible? No. In fact, such challenges energize me.
I like the idea of accessibility, coming from a lower-middle-class background myself, I feel like beauty and products should be accessible to all women over the world.
So much has been said and sung of beautiful young girls, why doesn't somebody wake up to the beauty of old women.
The reason Jennifer Lawrence is allowed to be a body-positive role model to young girls and 'chubby' women is because she is representative of conventional beauty.
I believe it's time that women truly owned their superpowers and used their beauty and strength to change the world around them.
The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
Women's behavior in handling beauty, even before feminism, was to deny they had any. Don't hate me because I'm beautiful.
Ads featuring real women and real beauty are such a necessary component to offset the potentially dangerous programming out there for little girls.
San Francisco is a mad city - inhabited for the most part by perfectly insane people whose women are of a remarkable beauty.
The vision is to restore Avon to an iconic beauty brand and to our leadership position in global direct selling, as well as continuing to ensure that we live up to our mission of empowering women.
If we could muster the same determination and sense of responsibility that saves a country like Japan - or a company like Xerox - then investing to save women and children who are dying in the developing world would be very good business.
My mother has often said that the issue of women is the unfinished business of the 21st century. That is certainly true. But so, too, are the issues of LGBTQ rights the unfinished business of the 21st century.
There's also, I think more so in the music business and especially for women, this ceiling that people put on you if you have children or a family and decide to spend time with them.
Indian business women like Indra Nooyi, Chanda Kochhar, Naina Lal Kidwai, Shikha Sharma, Swati Piramal, Anu Agha, Swati Piramal, Sulajja Firodia Motwani and Zia Mody have put India on the global firmament.
We have boys now, and men, in the rock and roll business and all the show business, who have this reaction on women. They scream. They yell. They do all sorts of wild things.
There are lots of women and lots of men in the business that the powers that be decide are the right people and they'll stand with them for quite a long time.
When I got into the music business in 1976, there weren't many women on the roster. As a woman, you don't complain; you work twice as hard, and you do your job.
