Out of sight above the house, the mirror moon reflected the sun of a day not yet dawned, shining the pale light of tomorrow on the yard and on the paper birches.
There was no more yelling or calling out, but they could not contain the small snatches of laughter. They were only humans, playing in the snow, in a house
I came on to the film with a very happy-go-lucky attitude which I think my character, Charlie, did when she went into the house. I expected it to be good, and then slowly things started to change for us all.
The civil rights movement was very important in my house, and then Vietnam was very important 'cause there were two boys, so I came of age during a very heated political climate.
The answer to old age is to keep one's mind busy and to go on with one's life as if it were interminable. I always admired Chekhov for building a new house when he was dying of tuberculosis.
I didn't grow up in a regular upbringing. I ended up at my grandmother's house past a certain age, so I took care of things myself. I moved out of home when I was 16.
Black bears, though, are not fearsome. I encountered one on the road to my house in Vermont, alone at night. I picked up two stones just in case, but I wasn't afraid of him. I felt a hunter's exhilaration and a brotherly feeling.
If the First Amendment means anything, it means that a state has no business telling a man, sitting alone in his house, what books he may read or what films he may watch.
A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.
My husband is the cook at our house. I can make dessert and salad, but I stay away from meals. He makes amazing omelets, fish, and grilled vegetables like Brussels sprouts and cauliflower.
Boys from my generation all love Jim Carrey! But you know, just being in his house with him and pitching jokes that he would act out, literally felt like the dreams that I had, so it was amazing.
My whole family actually, but my parents. I had such a normal and amazing childhood. I've been so lucky. My parents are cool and normal. They don't talk about the business and I still have stuff to do at their house.
I grew up in a house my parents built together on a mountain in Tennessee. When we moved in, the walls were still going up, we didn't have hot water, and we turned it into an amazing adventure.
I don't own designer clothes, or a sports car, or a huge house, but I am seeing the world, experiencing amazing things, and I have become an environmental campaigner.
If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect's task - his most difficult task - is always that of selecting.
I didn't know what architecture was except that I lived in a house. I don't even think that I knew the word for a long time. My dad funneled me into engineering because it was his background.
I got into this little habit of architecture and building. I designed a house in Colorado and one in Hawaii. The idea is supposed to be build and sell - but then I can never bring myself to sell them.
Most of the time, people look at a piece of art online when it is just a few blocks from their house. Changing the way you walk home everyday fills life with surprises.
My father was very interested in music, and when he and his brothers were young, they had a singing group that used to open for Sam Cooke. There was always music in our house, but there wasn't much art around.
My wife was the first art collector in the family, and I didn't become interested until around 1973. The first important artwork we bought was a Van Gogh drawing of two peasant houses in Saintes-Maries-de-la-Mer.
I have a studio at my house, and there is a sister studio for Disney which is about 45 minutes away, and we haven't dropped a beat. In the art of animation and voiceover work, you can pretty much work from anywhere.
