It is difficult for me to commit to an manuscript. Once, I get finished writing it. I get this feeling of adrenaline, and satisfaction. This is when the amusement begins, for the writer's side of me.
Actually the adrenaline of the game will probably help me out a little bit to regain command and concentration about the things that I have to do.
I've really learned over the years how to control my adrenaline and let it all out when they shoot the gun versus letting the crowd and the lights and the camera get to me.
If I'm in danger then it's usually my fault and it's up to me to get myself out of it. I am not in it just to get an adrenalin rush. No way!
Running for office is similar to being a trial lawyer in a very long trial. It requires adrenaline and stamina; it requires being in shape mentally and emotionally. It's a marathon.
Self-builders are the adrenalin junkies of the DIY world; it's the equivalent of base-jumping off the top of the Gherkin to land in a paddling pool.
If I'm playing a gig in London, it feels so important. The adrenaline rush here is bigger than anywhere else. I kind of like the pressure that London puts you under.
I will be the focal point for however long I decide to play. Half of me likes that idea and half of me doesn't, but once the adrenaline kicks in, I'll probably really enjoy it.
It was the character of the Packers, man. We played for sixty minutes. We let it all hang out. There was no tomorrow for us. We got the adrenaline flowing, and we just let it go, man.
When I got on stage, I would have a rush of adrenaline; everybody gets it. Normally after the first night it becomes more controllable, and as long as I could ride the wave, I was still in charge.
I am scared easily, here is a list of my adrenaline - production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one.
I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the...
People have always liked to be frightened. People love to feel that jolt of adrenaline. People love roller coasters. People love skydiving. These things that really get your heart pumping, and horror films are sort of a safe way to get that rush I gu...
At a certain point, you realize you have a responsibility more behind yourself and your need for adrenaline. I'm glad I did things in my 20s that were more reckless.
I just loved performing. It just made me feel alive. It's scary, but that's part of it. I think it's important to have that extra adrenaline. It gives you that extra zing.
It is the greatest shot of adrenaline to be doing what you have wanted to do so badly. You almost feel like you could fly without the plane.
Sometimes we have one chance, to ride that wave, one opportunity to jump on, take a deep breath and feel the rush of adrenaline. . . don't miss your chance.
The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.
I don't like roller coasters. I don't like bungee jumping. I don't like snow boarding really fast down the hill. I am not someone who is an adrenaline junkie.
Think of it this way: performing is like sprinting while screaming for three, four minutes. And then you do it again. And then you do it again. And then you walk a little, shouting the whole time. And so on. Your adrenaline quickly overwhelms your co...
You can hit your legs really hard, you can get very, very sore from training and I love that, but, the one I'd feel most on stage is legs. But, the thing that happens is once the adrenalin kicks in, that's the trigger.
