I actually didn't really go to college. I enrolled and never showed up. Being on a college campus where we shot some of the scenes in 'The Goodwin Games'... it did make me wish that was an experience that I had.
The luster of an experience can actually go up with time. So, learning to play a new instrument, learning a new language - those sorts of things will pay dividends for years or decades to come.
Perceptual reality is different for different species. In certain species it is a mode of observation, so what we call scientific fact is actually not ultimate truth, it is perceptual experience, and it's a mode of observation.
We could in fact transport a person, say a kid who didn't know what it was like to be in a civil rights march. We could actually take you into that experience, so that you could better appreciate what happened and why it happened.
Being able to jump off a swing is actually a useful and meaningful thing for a child to do... those are the tests that help us understand the limits of our body. That's a positive learning experience that we deny children on a regular basis.
I grew up not having very many girl friends. Girls tend to be competitive. I actually went to the school 'Mean Girls' was written about, so you can only imagine what my high school experience was like!
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience.
Sometimes I get so bold and I'm so confident about what I'm doing that I actually try to be more of a dork because it's a really liberating feeling to experience what it's like to not care.
The idea is that we're doing it just for the joy of the actual physical experience. We may record something just for the fun of it, but the idea is just to be truly joyful and truly fun, especially for me, because I take myself too seriously all the ...
I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.
I'd say the real turn in my career came when I did the Dolce & Gabbana International Ad Campaign playing Madonna's son, which was just an incredible experience and I still can't believe actually happened.
No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn't yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words.
Parents, it seems, have an almost Olympian persistence when it comes to suggesting more secure and lucrative lines of work for their children who have the notion that writing is an actual profession. I say this from experience.
I love the experience of getting to direct because I can have all of the fun of helping shape the show, but I don't have to actually do it, so I don't have to deal with the nerves.
For the general public, my work is sometimes easier than a painting because there is someone addressing you; it can actually be a relief. What's interesting is the idea of a tourist randomly coming in and the experience they'll have.
This experience actually means the very opposite: the largest military power was unable to stop such a sensitive attack and will be unable to rule out such a possibility in the future. Precisely this is the background to the United States' military i...
If you can work a brand successfully into the narrative of your product, then it's really cool. Then people actually take the brand up and say, 'My positive experience in your product is directly connected and influenced by this brand and that worked...
Dying before dying has two important consequences: It liberates the individual from the fear of death and influences the actual experience of dying at the time of biological demise.
I actually grew up hearing this a lot: 'If you're an actor, you can only be an actor, and you have to just do that.' But in order to be a good actor, you have to draw on life experiences. To only concentrate on acting, you're cutting yourself off.
We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.
