For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
I was an actor... or, at least, I was trying to be an actor.
I'm an actor. Actors are supposed to act.
I'm a director's actor; I'm a storyteller's actor.
The actors I admire are character actors.
I had two ambitions: One was to be in The Actors Studio, and the other was to walk into a bar where actors hung out, and everyone would know that I was a professional actor and I would be accepted.
I don't want to be a star. If you have to label me anything, I'm an actor - I guess. A journeyman actor. I think 'star' is what you call actors who can't act.
It takes awhile for writers to get to know actors rhythms, not just as actors, but what they bring to the characters. I think it takes a few episodes for the writing room to catch up to the actors and vice versa.
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
You can have good writing, but a great actor will make it feel and sound like great writing. You can have great writing, and mediocre actors will make it feel mediocre. Without the actors, you have nothing.
If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
I actually grew up hearing this a lot: 'If you're an actor, you can only be an actor, and you have to just do that.' But in order to be a good actor, you have to draw on life experiences. To only concentrate on acting, you're cutting yourself off.
What I hope is that I don't just become 'Peter from 'The Lion, The Witch and The Wardrobe.' I want to try and do something else to be a good actor and a respected actor.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
If there's anything I'd hate as a son-in-law, it's an actor; and if there's anything I think I'd hate worse than an actor as a son-in-law, it's an English actor.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost ...
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.
To be an actor, a true actor, you have to be brokenhearted.
