I'm a little less hungry as an actor than I used to be. When you're a director, you're the conductor of the orchestra, and when you're an actor, you're playing the violin. There's a thrill to each of them, but as the conductor, you get the fuller sou...
Well, acting is cheap; I knew all these actors who weren't in the Screen Actors Guild yet, and it happened that they were all just about thirty years old.
A lot of actors never talk to other actors about how they're doing things, or why. I think it's important to share the way you're thinking.
I've always been a bit of an orphan, because actors say, 'Well, he's more of a dancer.' And dancers say, 'No. He's really a singer.' And singers say, 'No. He's an actor.'
You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.
You see, in America, it's quite standard for an actor to sign, at the beginning of a series, for five or seven years. The maximum any British agent will allow you to have over an actor is three years.
It bothers me when people say, 'Oh, you're so down to earth - for an actor.' Even when they don't say 'for an actor,' I feel like that's the implication. Why are the standards so low for performers?
I was always one of those fortunate people who never wanted to be anything other than a singer and an actor. Most people know me as a singer, but I am also an actor.
Take any movie with an actor you like. Turn your head and just listen to the performance. In some cases, the physical presence remains as strong when you can't see the actor, when it's just the voice.
Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys. So it never surprises me. And if it's good writing, you can find your way into the part well enough.
I think, as an actor, and particularly if you are playing the lead in something, you have to view yourself as the head of department for the cast. All of the other departments are accountable and have somebody at the helm who is leading them all the ...
I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them.
'Quantum Leap' gave me a huge opportunity as an actor. The nature of the role and it's demands allowed people to perceive me as a versatile actor, and the wide success of the show around the planet gave me a certain notoriety that helped me get other...
I think actors are getting so much more power these days, but I'm not. I stay very much away from the decisions, the way in which things are orchestrated, what's been changed. I just try to stay completely in the role as the actor and as the characte...
I just love actors, and I've always loved actors. I empathize with their job. Everyone thinks it's easy, and it ain't. To be that vulnerable and brave on camera is tough. The more they reveal themselves, the more we love them, but there's a lot of tr...
There's so much emphasis on Daniel Day-Lewis and his process, which is appropriately his own. But I was just blown away by his generosity as an actor. He's so giving as an actor that he just naturally commands the focus on set.
I honestly don't have a lot of friends that are actors. Most of my friends I've known since sixth grade and are out of the industry. It gives me a sense of reality rather than surrounding myself with a bunch of actors.
When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
With independent film, as an actor, you have more involvement - it's very much more connected. It's not just like I'm showing up and there's another actor on the call sheet; you're very attached to it.
I feel so sorry for younger actors who aren't able to have the opportunities that I had, starting out in repertory theatre. It's really tough on young actors now.
I just have always been so interested in the way actors and actresses present themselves to the world because I think it is very important and it affects the way people see you as an actor.
