I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters.
I would love to work with Jack Nicholson, Saoirse Ronan, Michael Shannon and James Franco in the future. I think those actors are amazing, and they are my favourite actors by far.
My mom is an art teacher and my dad owns a women's shoe store, so they're not actors by any means. Well, I guess to sell women's shoes, you have to be an actor.
I don't know how you persist in being so stubborn-" "It's a superpower. I was bitten by a radioactive mule.
To be powerful, a kiss should make a journey, be its own story--begin with hesitation, move to realization, then melt into bliss.
I can feel the power of the words doing the work. Must trust language more.
I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had.
Daniel Day-Lewis and Sean Penn to me are the two best actors of all time. I'm just glad to have the pleasure to be in an era that they're acting while I'm acting. They're probably the best actors in my mind.
Unfortunately for critics and audiences alike, I have made several films, and some films with really terrific actors. And I say this at my own peril, but Marion Cotillard is the best actor I've ever worked with.
I figured most of the best actors around 20 years old would all be at drama school, where they're tied up and contractually can't work, so I saw there must be a gap in the market for a young actor like me.
Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
When I was younger I saw a movie called 'Butch Cassidy and the Sundance Kid' with Paul Newman and Robert Redford. Those two actors and that movie was my inspiration to want to be an actor.
I didn't become an actor until I was an old man of 28 or 29. I declared to the world that I was an actor. Nobody heard me, but I did declare it.
I'm very cautious about talking about how actors got where they got, as though there is in fact a plan or a way. There is no plan, there is no way, there's no sure set, there's no handbook, on how to get to be an actor.
I just don't think that I could be the kind of actor I want to be and not be honest with myself. Honesty is very important to me as an actor and as a person. I didn't even think about it.
Most actors will tell you that it takes a while to figure out what you want to be because we just want to do everything we see on TV and don't know that 'actor' is a job yet.
I had to audition as an actor, and I got so tired of doing the same monologues over and over, so I started writing my own, and then I started selling them to other actors.
Every actor's different. It seems to me the older veterans, they don't need to hear as much. But younger actors need a little more feedback, a little more assurance, and that's fine.
I'm not saying that Sam J. Jones was Flash Gordon - there's no such thing. No actor can be the person, that's a bunch of crap. People pay to see an actor be himself, whether he plays Hamlet or whatever.
Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
I don't see myself as a 'black actor,' I'm just Shemar Moore the actor. I'm very proud to be black, but I'm just as much black as I am white.
