Often you get wonderful singers who maybe aren't as strong as actors, or you get wonderful actors who can't sing very well.
People want their actors to do comedy, too. They don't want any comedians next to the actor. They want one solo hero and want to see everything in him.
I like actors who, when you see them on screen, you sense a person, not just an actor.
I wanted really to make it moment to moment, partly because I'm an actor and that's how I operate - actors are all about creating the moment.
I think every leading man wants to be a character actor, and every character actor wants to be a leading man.
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
And I have been able to establish this sort of decent reputation as being a decent character actor.
It's the persona that makes you a leading actor. A leading actor has something extra that's fun to watch. But it isn't usually about acting.
The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.
Here in America, every single actor, since they were little boys, they sing and dance and perform like angels. We don't do that. We are actors who work in a theater in very classic performances or plays.
I want to abolish tags like 'comeback' and 'retirement' that are used to define every married female actor. What is the big deal? In Hollywood, every top actor takes a break, has children, and gets back to work.
As a Japanese actor, I really want to work with a lot of actors and actresses in the world and many directors who have many different kinds of talents. I feel like nationally doesn't matter at all.
I'm foremost an actor. I feel embarrassed being compared to the guys who really work at it. I fake it, I make believe I know all about it, which is what you're supposed to do as an actor.
I'm still waiting to hit it big. But there was the moment when I didn't have to work at the restaurant anymore, which is the milestone for every actor. When your job is just to be an actor and not to have to do anything else.
I miss that process of getting the script and reading it and working on it. Every actor has their own way of memorizing their lines, and the whole process of starting to work with the other actors and the director, and doing rehearsals, and going to ...
My goal as an actor was to work - to be a working actor, whether it was in theater, and, well, I didn't even consider film and television when I was in New York, but what came along, came along.
The actor's role in the community is quite unlike anyone else's. Businessmen, for example, don't take their clothes off or cry in front of strangers in the course of their work. Actors do.
The attitude of the actor is his interpretation of what he reads, and the written word is what creates the role in the actor's mind, and I guess in reading the things that were given to me, I reacted as you guys saw me, you know.
From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.
You can be the best actor in the world, but if you don't have that one lucky moment, it kind of doesn't matter. There are a lot of amazing actors who will never get the chance to prove themselves because they won't have that one lucky moment.
