I really want to work with Tom Hardy. Christian Bale and Russell Crowe are also on my list. Those are my top three actors. As far as actresses go, Kate Beckinsale, because she's so smokin' hot.
I would not want to be a part of any project that I feel would not work. An actor like me always wants to work to get appreciation of the audiences. And appreciation can only come if people will come to watch the film.
Most theater methodology is predicated on the idea of repeated actions. That's what you work toward. Having the actor repeat the same moment eight times a week. In a film, it's getting that one moment right.
There's something to be said for going right into people's living rooms. I think actors have always loved that medium - you're right in there with people in their homes. A lot of very audacious work is being done on television.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
The theatre is a tragic place, full of endings and partings and heartbreak. You dedicate yourself passionately to something, to a project, to people, to a family, you think of nothing else for weeks and months, then suddenly it's over, it's perpetual...
Some actors specialize in shooting weapons and punching people. Some have the market on playing buffoons cornered, others specialize in roles that require heavy makeup or outrageous wardrobe. Some trade exclusively in a post-ironic blase attitude.
Then there are actors my age like Ethan Hawke, he's in 'Moby Dick,' I love his work. I've been lucky. Alfred Molina, he has real class.
I was 14 years old. I did an audition for extra work as an actor, with two lines. Suddenly I was auditioning for a bigger role, and then got a part on a Portuguese TV series at age 15. My whole life changed completely.
For me, choice is the most important thing because I'm going to be an adult actor pretty soon. So I've got to be choosing the right roles now so that by the time I get to that age there will be wide options available.
I grew up with the great Sir Laurence Olivier, and I think it's fair to say that a lot of actors of my age were influenced by his very individual vocal delivery. He was a showman who would always play to the gallery.
I remember being in college knowing I didn't want to go anymore. I wanted to try and become an actor. There is a something in me, with a risk of sounding cliche, that I just had to do it. I knew from an early age that acting was my path.
I studied technique for ten years, from age 7 to 17. I guess you could say I went more on the Stanislavski side than the Meisner side - there's always that wide divide among actors when it comes to technique.
There's something really amazing about watching an actor like Michael C. Hall or Jennifer Carpenter, who are completely professional and do everything so brilliantly, but yet can have a really great time on set.
It's amazing that for actors mostly, it's a risk to attach yourself to a film that you don't know whether or not it's going to even be made and if you sign on, in doing so, who else is going to be in the movie with you.
You're in a scene with Laura Linney or Oliver Platt or John Hickey or Alan Alda and these amazing actors and actresses, and you're like, 'Oh my God, I haven't even started; I'm nothing compared to these people!'
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
You can work with someone who's an amazing actor, and if they hate the role they're doing, it's uncomfortable to watch and uncomfortable to work with. When you're working with someone who loves what they're doing, it's just such a joy.
China is an old nation with a colourful history. Its booming economy has triggered an appetite and a curiosity around the world for its art and culture, one that continues to grow. I can, however, tell people that it is a show with no actor.
Remember, acting is not a business of glamour. It is science, craft and an art. Read about acting; don't do it for the sake of fun. Actors such as Paresh Rawal and Naseeruddin Shah are great examples; they are surviving only because they have read we...
