There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that.
Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.
For actors, we always feel like there shouldn't be any divide for anybody. The industry is the one that kind of creates the idea that if you're such-and-such an actor, you can't be on the big screen.
I had this sort of idolatry for certain actors who preceded me, people who inspired me, so I'm honored to be that way for young actors.
As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.
High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script.
I'm sure it's not great fun for them, or for any parent, when their child says they want to be an actor, 'cos it's quite an uncertain business and it can be terribly hard for most actors.
I do think, oddly, that a comedic actor has a better chance of pulling off a dramatic role than a great dramatic actor has of being able to pull off a highly comedic role.
As an actor, you try and be cool, but one of the reasons you become an actor is because you're a film fan. And then you're like, 'Oh my God, Ridley Scott just spoke to me!'
And as an actor - or even as a person in the industry - if you're unwilling to change, you're just going to get swamped. You've got to be flexible, and you've got to go with the flow. That's what I try to do as an actor.
Growing up, I was always adamant that I would never do 'Home and Away' or 'Neighbours,' because as an actor you want to set your path as that serious kind of actor.
I mean, its hard to be an actor in the city - trying to make it as an actor - because you waitress all night, you get home really late and you're super tired and your feet hurt.
There are many actors who have inspired me: Spencer Tracy for his incredible elegance and, of course, Cary Grant. But, there's also an Italian actor I admire a great deal: Alberto Sordi.
You spend enough time on set as an actor and it's great when a director was at some point an actor or understands acting. They're able to finesse performances out of you that a lot directors can't get.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
If I wasn't an actor, I'd be a teacher, a history teacher. After all, teaching is very much like performing. A teacher is an actor, in a way. It takes a great deal to get, and hold, a class.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
Great actors are people who just meld into the part without calling attention to the fact that they are so-and-so doing this part. They may never become huge stars, but will always, in memory, stay respected actors.
There are lots of people in the world who do have the advantage of going to a good drama school and just decide that they want to be actors. There's nothing wrong with an untrained actor; they have to get their training somehow, they have to learn.
I really look up to people who experiment in all areas and I think Johnny Depp is a really good actor to look up to because he's done so many genres of films.