There's no blueprint for where I should be. I see myself as a young, good actor who still has a lot to learn. There's nobody at any point in their career who is the finished article.
I think a lot of good actors - for instance, Gary Sinise - have no training. His training was really entirely on his feet. I suppose you have to have an instinct for it.
The fact is, as actors, everything we do, bad or good, is a contribution. To me, it is a positive thing to give people as wide a range of human behavior with some sense of understanding of that behavior or some clue to it.
These actors like Danny McBride and Jonah Hill are so good at improvising, and when they do it, it's this fun moment for the audience. It makes them feel like they're watching something fresh and new.
Good actors can sort of see into people and immediately you have a chemistry with them or not. It's like an affair with no mess.
I never had any classes or went to theatre school like a lot of actors, so all of my training has been on stage with different directors. That was a pretty good school room.
I think being a character actor is exciting in that it allows you to embody completely different things, whether it's through wild accents or a crazy bad guy or a drunken good guy.
People are confusing me with a good actor when I'm just a good mimic. When someone asks me to play a nun from the fifteenth century, you'll see what I mean.
If it's well written and well directed and you've got good actors to work with, acting is easy. But making sure all the ducks are in a row is the hard part. It's very rare.
Once you've been booked, people in Hollywood say, 'Oh he must be good.' All the while you're the same actor.
It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
I think musicians oftentimes have the right skill set to be good actors. And with Rihanna, I noticed her and knew of her obviously, and was very taken with her charisma and her confidence.
Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly.
I think it's good for an actor to bounce between stuff on camera and stuff in theatre. If I could do half and half every year I would be a very, very happy man.
I always say if you've seen good acting on television, those actors are really good. Because there's just not enough time. You don't have any preparation.
I wonder what it was like to be an actor years ago. We're so respected now and I don't think it does us any good. We used to be vagabonds. I want to be a vagabond!
It's valuable to me as an artist and actor to explore all kinds of outlets. So if a local filmmaker in Milwaukee had a good story, I'd be part of it in a second.
I don't want to say, 'I want to be in Hollywood,' like so many actors do, but I know that Hollywood is still making good movies, and I'd like to be part of that someday.
Broadway was without doubt the hardest I ever worked in my life and the highest highs I've ever had as an actor. The unadulterated fear was on a level that was hard to explain.
I know what actors fear, what they like; I know how to get things out of them and I listen to them better, since I've been there.
