For me, I've never been too concerned of what people think of me, so now as the youngest Baldwin brother in Hollywood making movies while simultaneously being a charismatic evangelical born again Christian who's an evangelist - that's a pretty crazy ...
I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.
I had a really generic upbringing, I think, when it comes to viewing movies as a kid. I didn't really know what was out there or what was being tried. I was, like, 'E.T.' and 'Indiana Jones.' Those were the only things I knew existed.
I don't believe in the so-called Latino explosion when it comes to movies. Jennifer Lopez doesn't have an accent. She grew up in New York speaking English, not Spanish. Her success is very important because she represents a different culture, but it ...
By my count, of the more than 600 English-language World War II movies made since 1940, only four have even acknowledged the humanity of the soldiers of Nippon. There may be a few I've missed, but not many.
People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are,...
I don't know what to expect out of my films. My first two films were with extremely talented directors, and they didn't work. And my next two films were with newcomers, and they worked well. So I've stopped expecting anything from my movies.
I was always raised on cowboy films, and then when I could start making choices about the movies I wanted to watch I found myself wanting to watch gangster films which were slightly more sophisticated than the baseline stuff that was in westerns.
When I watch movies or TV, I am like, 'Wow that guy is really cute, I really like him,' but I don't really have one person that I would die to go to something with. There are so many hot guys.
America had, for one thing, lived in anarchy for - until much more recently than Europe. We had the Wild West, where the cliche of the cowboy movies was the nearest sheriff is 90 miles away, and so you had to pack a gun and defend yourself.
I have always been uncomfortable with a series of movies. I hate that word 'franchise' - it always makes me think of French fries. What I felt each time was that we were going for broke, that this was going to be the last in the series. You can't cou...
I was at the end of the studio system so when I walked into movies, I had a magnificent suite in which I had a living room and a kitchen and a complete makeup room. I had everything just for me. With the independents, you're kind of roughing it, lite...
After I was fired from Disney, I did some of the worst movies ever made and I got professionally involved with a manager who said it didn't matter what you did as long as you kept working. I wound up completely broke.
I write plays and movies, I live and work at the borderline between word and image just as any cartoonist or illustrator does. I'm not a pure writer. I use words as the score for kinetic imagistic representations.
For most artists, you take what you have and who you are, and then you expand on it to make it more entertaining. Everyone knows actors aren't the same people that they play in movies, but people somehow expect musicians to be a certain way all the t...
I think with the success of, like, every summer there has been a couple R-rated comedies that have done so well; I think it is so nice to see that people are turning out to see these movies, and it doesn't seem to be as big a stigma with the studios ...
I watch movies and sports. I can count on the fingers of my hand the number of times I have watched an hour show. I never watch a half-hour show, and I never watch myself.
Prostitute #1: I saw a police station in a movie. It was cleaner. Prostitute #2: I once saw a dirtier one. Prostitute #3: And I, a more cheerful one.
Lester Siegel: [Tony finds the "Argo" screenplay] It's a turnaround. It's dog shit. Tony Mendez: It's a space movie in the Middle East. Does it matter?
Lash Canino: What's the matter? Haven't you ever seen a gun before? What do you want me to do, count three like they do in the movies?
I often compare putting a hotel together to old-time movie production. You come up with a story line, you hire the writer, the director, the stars, the set designer.
