I know there's a great deal that Arnold Schwarzenegger could teach me about making movies. There's a great deal I could teach him about the fiscal reforms that are needed - desperately needed - to set California back in good order.
I'm good friends with The Rock, and I talk to him all the time. And he says that, even though his movie career has taken off, he misses the instant gratification of wrestling, and the live crowds, and I could see being that way myself.
I could not finance a movie on my own. Frankly, I could not even afford to take a year off. I, like most people in America, need to keep making money.
If I see a great performance on television, onstage, in the movies, I go to work the next day with a renewed energy and less fear. These great artists take me out of my life and make me want to go there.
You know, Stephen says, in the movies no one ever goes to the bathroom. They shave, they brush their teeth. He goes right at this sort of funny taboo we have about the bathroom, and he turned it into this nightmare, you know, your worst fear of what'...
I'm a novelist who read a lot as a kid. When you grow up on books and then grow up to write books, famous authors are a lot more meaningful to you than TV and movie stars.
I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
Our goal at Home Theater Films is to inspire and entertain our audience. We want to make great movies that everyone can enjoy and elevate them with contemporary, relatable characters that naturally demonstrate their faith in real world situations.
It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do.
It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their f...
Everything I do from now on, I'll have a mustache. I can promise you that. I don't care who I have to convince. If you see me with a mustache in a movie or on stage in the future, you'll know that I pitched the idea.
I would love to do a movie with Albert Brooks; we're so different, but I find him so funny, and I can be just as seemingly narcissistic as he comes off, the 'it's all about me' kind of thing.
I'd love to do a really juicy drama that's just really real. On the comedy side, I'd love to do something like '21 Jump Street.' I cannot stop watching that movie. Really funny, really extreme comedies are definitely my favorite.
We didn't even think about it, you know? I used to collect laser discs, and you'd have some college professor analyzing It's a Wonderful Life or Citizen Kane, and now it is pretty funny - the idea of commentary for a silly kid's movie, you know?
I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the t...
I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
But I think Kiss Kiss, Bang Bang really got that thing where, if a movie reads really funny and then has some dramatic or violent or sinister stuff in it, you can't forget that primarily it has to be even funnier than you read it or that other stuff ...
There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but ...
'Dirty Rotten Scoundrels' is a good one because it not only turned out, I think, to be a really funny movie but it was also a delight to shoot. We were in the South of France, working with Glenne Headly and Michael Caine and Frank Oz the director - w...
