People don't know what they are doing most of the time. They don't know what they want. It's only in 'the movies' that they know what their problems are and have game plans to deal with them.
The movies I made when I was 14 or 15, I have a hard time looking at those. Those were the awkward years. I don't know if anybody can look at something they did when they were 14 and not wince.
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
I don't tend to be a nitpicker when I'm watching movies, so as long as something is true to the spirit of the original, that's very much what we got for. You try to never do something that the original author wouldn't have done themselves.
I had Madonna parties; I dressed like Madonna, and I had all of her records because we had records back then. I knew all of her lyrics; I was obsessed with her movies and the whole thing.
I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away.
Well, getting behind the camera is something I've always wanted to get involved with. Ever since I was doing movies like 'Zathura' I was very interested in all the different jobs on set and kind of soaking all the information up like a sponge.
I like those kinds of songs that have details that you remember and that have stories that mean something and that open up into different levels philosophically. I like those kinds of movies, and I like those kinds of books.
I feel I want to grow as an actress and be better. I want to progress as a singer and songwriter, and produce movies and everything. So there'll be no time when I feel I've done it all.
I was familiar with that and 'Rio Bravo.' 'Rio Bravo' was what John Carpenter did, that brilliant move of taking a western and turning it into an urban flick. And from there you got, you know, all the cop genre movies of the time.
'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
I don't know if there is anyone who wouldn't want to play some kind of superhero. I don't know if the world is getting sick of superhero movies or not, but I think you will endlessly have actors who are intrigued by the idea of playing a superhero.
People are always like, 'Oh, 'Jurassic Park' is on...' or 'Oh, 'The River Wild' is on...' I actually haven't seen any of my movies in a long time. Being more self-aware now, and being an adult, I'm a little bit embarrassed to watch them.
Years and years ago, when everyone knew that Pierce was going to be doing the job, they started selecting new people. I had this bizarre thing when I hadn't done many movies, and of going on for an interview.
Nature is full of drama. I know nothing about biology, about birds, about insects, about the details of politics. I just make movies about human interest stories.
My choices in projects have all been character or role-based, and on a financial level, it's obvious: as an actor on a TV series, I get a wonderful paycheck, and a consistent paycheck, which doesn't always happen when you're doing theater or movies.
Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does so...
I look at some of the old villains in the Disney movies. If you really listen, you can hear some of the villains or some of the supporting characters, they use the voices over and over because they were so versatile in the way that they performed on ...
In the 1950s we use to feel that television was taking away our comic readership; with today's exciting, powerfully visual movies I have to wonder about their effect on the kids' loyalty to the comic book medium all over again.
I figured somebody wrote a story who had a typewriter and I thought that movies were made by the cowboys and that they just said, 'Okay, you fall off the horse this time.'
I figured, 'When is that ever going to happen again?'. So I basically set out the opposite way movies are made; I set out with a budget first. I said, 'What can I do well for $40,000?'.
