I'm looking to produce more stuff: TV shows, commercials, music videos and short films. I'm building my catalog so I can have some fun in between the times that I get to a movie.
Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.
Writing screenplays makes me a better musician because it clears my head. After writing a movie, I go running back to music as fast as I can.
Usually, when I do a soundtrack, the music from the movie doesn't have anything to do with me personally. It's music to enhance to the film. My own stuff is more introspective and about what's on going in my head.
I don't have a single complete show or movie or anything else that I could look at and say, 'Nailed that one.' But endless dissatisfaction is, I suppose, what gets us out of bed in the morning.
Some mornings you wake up and think, gee I look handsome today. Other days I think, what am I doing in the movies? I wanna go back to Ireland and drive a forklift.
'Monuments Men' is a movie... I don't want to say for grown-ups, because some young folks could appreciate it, too. But if you're expecting 'Transformers,' you're going to be disappointed.
Oh I had crushes on all my leading men, I think. Oh, you know who I really had fun with? In this movie 'Mother, Jugs & Speed,' I really liked working with Harvey Keitel.
I'm excited about becoming a transmedia storyteller. The idea that we can tell the 'Agent Mom' story online with MTV Comics and build a fan base that we can take over to Paramount to discuss turning that story it into a movie is just awesome.
I really wanted to be a mom. I didn't want my kids to be raised by a nanny, which would have been the case if I were working two movies in a year, you know? And I would have been hospitalized with fatigue.
I made some truly awful movies. 'Stop! Or My Mom Will Shoot' was the worst. If you ever want someone to confess to murder just make him or her sit through that film. They will confess to anything after 15 minutes.
They make Spy Kids, they make Scream, they make A Scary Movie. This doesn't do that, so it could be a very bad marriage. I'm trying to keep this potential nightmare quiet because we're just finishing editing.
I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.
I'm fanatical about movies: African, European, Viking, Roman. I got into witchcraft and magic from watching 'Bewitched' and 'The Wizard of Oz,' which shows in some of my outfits. I dress to reflect the whole spectrum of the universe.
I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.
There's been about 75 movies about Jesse James, and I've seen about four of them. He's usually portrayed as this plucky rebel who's got no choice but to turn to crime, because the railway's hassling his mother. But he wasn't like that.
I filmed seven movies in 2011 and I think that was a mistake. I pushed myself too hard and I want to be able to come to work each day and give 100 percent. I guess I found out what my boundaries are.
Animation is very singular. Like, even the 'Toy Story' movies. People will go, 'Oh, gosh, you're so lucky, getting to play opposite Tom Hanks!' And it's, like, 'It may have appeared to be that, but we were never in the room together.'
At the beginning of 'The Hills,' I couldn't watch myself because I'm very critical and would pick myself to pieces. But with movies I feel like it's different because you're playing a character. So it's like watching yourself but not watching yoursel...
Whether it's the experiments on 'MythBusters' or my earlier work in special effects for movies, I've regularly had to do things that were never done before, from designing complex motion-control rigs to figuring out how to animate chocolate.
If we based everything in Hollywood on who was a nice guy, holy moly, we would have no movies. No actors would work. This is not an industry that is ruled by kindness and generosity.
