I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things. For me, I just love to work and I love movies.
I'm one of those crazy people, if I'm watching the trailer for a movie and I'm really excited by it, I'll turn it off because I don't want to know anything. I want to be surprised because I love that more than knowing anything.
I would love to direct an 'Apes' movie. It would be in the spirit of where I'm going with my career - avatars played by actors to say something about the human condition.
There's a moment of recognition. It's that white-light kind of stuff that just 'works.' I love that. And you know it when it happens, whether it's a movie, music, a building, a book.
I love meeting people who've read my books. The prime reason to be on the planet is to make things I can show to other people: paintings, books, movies.
I love all the shoe shops in Covent Garden. Laura Lee Jewellery on Monmouth Street for delicate gold jewellery. Every time I get a part in an English movie, I buy myself a piece of jewellery from there.
Audiences know exactly what's coming and they know from the beginning of the movie that everything's going to be OK and there will be high jinks that will get you from the beginning to the end, and eventually all the misunderstandings will be worked ...
I'd love to do a Western. A real Western like John Ford used to do. There's not too many of them made, so I don't know if I'll ever get to do that. They're awfully hard movies to make.
I love going to horror movies - especially when they are fun. I think that they get you in touch with sort of these primal instincts that we all have in the relative safety of the theater.
In college, one of my favorite classes was a six-week class watching horror movies. 'The Bad Seed' was one of them and was the first time I had seen it, and I really fell in love with it.
'Close Encounters of the Third Kind.' Big, big, big smash for me. My birth of the love of cinema was born with 'Close Encounters' and '2001.' Those sci-fi movies I saw when I was a little kid.
I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.
'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.
I love movies that are just straight-up exploitation, but the ones that endure and the ones that last are the ones where the filmmakers put in that extra level of thought; after 25 years you put them on in front of an audience, and they'll respond to...
I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies.
I love the old Fred Astaire and Gene Kelly movies; they're so beautiful to look at. It's such a shame we don't make them anymore. Although, I don't know how you could make tap dancing current and topical.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
I just don't want to do crap movies, man, because I just love that I can get up and talk about them and talk to journalists about stuff that I'm really proud of.
My parents were dismayed by my love of horror movies as a young girl, then even more dismayed when I kept rooting for Dracula to win instead of Van Helsing.
I love it, man; I'm 23 years old and I'm lucky enough to write movies as a job! I just feel really blessed and can't believe it's happening.
I may not be wealthy; I'm living from pay check to pay check, but I get to make movies, which is what I love to do.
