'The Big Chill' had a bunch of really talented actors, a great soundtrack, and the college connections that the characters shared. It's one of those movies I glean something different from every time I watch it.
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
Being on a movie set when you have a great strong people there supporting you can be very nurturing. You get to explore these creative parts of yourself as a child that most people don't explore until they're in college.
It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff, writing and making movies and TV, but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.
Writing is getting killed by too many chefs. Back in the Bogart days, it started with great scripts. You had a writer, and he wrote a script, and that was your movie. I think that's been watered down a bit lately.
That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.
We were a Western civilisation, an English speaking civilisation, both NZ and Australia, and we had all these influences coming from both Great Britain and America to us; sending us their culture in the shape and form of movies and television.
I have a great career, and no matter what I am doing, a big blockbuster movie... or my small documentary, David Letterman will call and say I would like you to sit on my couch.
A great novel is concerned primarily with the interior lives of its characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in i...
I think movies are great and I have a great time making them but they're not what keeps you warm at night, or what's ultimately the most important thing in anyone's life journey.
That whole generation that's gone now, that lived through the two world wars, is a great example to all of us. They knew how to live. If something bad happened, they didn't sit at home, eat Haagen-Dazs, and watch a movie.
So if you want to have a great video game-based movie you have to keep the mood of the game, use the normal character setup - but you have to flesh out the story and provide more background for the characters.
I usually set aside a lot of time in advance of a movie with important roles for kids to search, but when you have great ones, they can be a real ace in the hole.
I think that building any product that has a lot of user loyalty is a bit like making a sequel to a great movie or video game - people generally want 'more of the same thing, except better and different.'
I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
The place was crawling with youngsters. It was good, because the kids were good. I can't make a general assumption. Again, you're probably getting, as a general theme from me, that I don't make a lot of broad, sweeping rules about movies.
I'm the first one in line to go watch 'Spider-Man', but there's definitely something in me that makes me want to go to a movie and see something that makes me feel good about life.
I am scared easily, here is a list of my adrenaline - production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one.
I'd love to do a romantic comedy. And perhaps, if the character was right and I had a good gut instinct, a Bollywood movie. And I'd love to direct. One day. I'm learning a lot on the set of 'The Good Wife.'
The movies that I did in the '80s were either good or bad, but I never was oppressed with any feeling - I mean, I thought it was ridiculous to play high school or college students when I was 30. But at the same time, that was really done then.
