Certainly in the movie business there are bullies all over - bullies in the distribution business, exhibition business, production. Fine-tuning adult bullying is different. When a bully is an adult, it's a whole different set of colors.
When you look at movies, the lead girl is always gorgeous and thin. There is a stereotype that you need to look a certain way and when you get in the business you really feel the pressure.
My career in the movie business began in Hong Kong, my heart has always been tied to Asia, and it is immensely gratifying to see international recognition for Asian cinema as a whole.
Business is fun. Controlling your own destiny is fun. Creating an idea and turning it into a movie; finding an artist and guiding their career and bringing them to some type of status - there's joy in that.
I got into this business because I like acting and I want to make movies. I would be happy living the rest of my life never famous.
I have the highest respect for stars and auteur directors. But I don't want to work with people who only invite me to the preview. We want to be in the collaborative movie business, not the financing one.
The nature of motion capture is only going to work for certain films. It's not going to put any other type of movies out of business.
Rather like Batman, I embody the themes of the movie which are the values of family, courage and compassion and a sense of right and wrong, good and bad and justice.
I watch movies, and if I get the chance to watch television, I'm usually prone to watching something completely mindless and mundane that I don't have to follow so closely.
When they first cast me, I was a pretty avid fan and vampire movies and Celtic mythology, so I was excited to get a chance to walk in Doyle's shoes and have fun with it.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
It's a werewolf movie with Christina Ricci, and it was a chance to work with some good people. But playing yourself is always fairly risky because you gotta watch how you goof on yourself.
Some men have a silly theory about beautiful women - that somewhere along the line they'll turn into a monster. That movie gave them a chance to watch it happen.
I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.
I don't wanna abandon my identity as LL Cool J, but at the same time, I had to figure out how to let people know that I'm really serious about making these movies.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
I have been a huge nerd to my kids. I haven't done the cool movies that they like. With '24,' I gained a lot of respect. '24' is now, it's hip, it's their generation.
I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
I think it's important that we have strong, female characters in movies now, which can really leave an impression on people - especially young people - and that they're not 'sexy' or 'cool.'
And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew, I think was real cool for our film because we do a bunch of really big jumps in this movie.
I want to be like Tom Freston. Tom just flies around everywhere, gets to make movies, gets to start TV shows, hang out with cool people and do whatever he wants.
