I don't want to just do independent movies and I don't want to just do adventure films. I enjoy both, and I think both are cogent.
A couple of my teammates have the rare Ford F650 Super Truck, and they're kitted out with everything - even flat-screen TVs for movies and video-game systems in the back.
I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
For a while, I stopped enjoying making movies and I stopped enjoying acting, because I made a few decisions that I wish I hadn't made.
I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.
I can cook a little bit. I can cook a few Spanish dishes. But, in movies, it looks like I cook much better than I cook.
It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else.
I was born in 1950 and watched science fiction and horror movies on TV and was always really fascinated by them.
For many years, when I was starring on 'Touched by an Angel,' I produced on a number of television movies for CBS. I have always enjoyed the aspect of bringing something together and multitasking in that way.
What really matters is that 'Black Swan' deploys and exaggerates all the cliches of earlier ballet movies, especially 'The Red Shoes,' another tale of a ballerina driven mad and suicidal.
If a violent act towards a woman takes place, and the inspiration for that act is violence in cinema, the inspiration for that act would have come from somewhere else if movies didn't exist.
I made a conscious effort to focus on television so I could stay in Los Angeles, so I wasn't on a location all over the world doing movies.
Seeing New York in the movies is what made me want to live in Manhattan one day. I eventually got my wish, and the city has never disappointed me.
It seems that the small movies are a little more risky and cutting-edge. You've got your big commerce and you've got your small films that you're more passionate about.
Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.
The problem with romantic comedies is you know the ending by the poster. So they're not movies you can keep doing over and over again expect satisfaction somehow.
I don't like doing movies that are meaningless or unrealistic. I like things with a lot of reality to them. I'm a pretty serious kind of person myself. Things affect me.
I've been told I've done a lot of flop movies. And I think, 'Wow, I've never considered them flops!' I've loved every character I played.
There's plenty of room for all sorts of movies and all sorts of comedies, so I never saw that as a competitive thing. I think there's room in the marketplace for everything.
I wanted to keep exploring... I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film.
I started watching movies my grandpa did, and I saw what an impact they made on the world. That's when I said, 'Hey, I want to do that too.'
