I have used movies to go to sleep at night. You flip from channel to channel to channel and see just enough to make your brain mushy and go to sleep.
We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.
I grew up not reading fiction; I watched movies and read comic books, and one of the ways I taught myself to think about narrative was through film.
I didn't know what types of movies I wanted to do. I want to do things that are different. I want to take my time with each role.
For me, it's hard to keep up with trends. I just go for the roles and movies that I feel I could add value to, or contribute to, that I feel I could portray.
I never see my movies. When they're on television, I click them away. Hollywood created an image, and I long ago reconciled myself with it. I was the French cliche.
I really detest movies like 'Indecent Proposal' and 'Pretty Woman' because they send a message to women that sleeping with a rich man is the ultimate goal and really that's such a small part of it.
I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.
My mother loved Gene Wilder when I was growing up, so I used to watch all his movies with her. I just adore him.
I did try to get a few of those teen high-school movies, but they just didn't like me. I guess I wasn't a certain type.
My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.'
When I started writing, there was nothing about zombies. It was all teen movies, which to me are scarier than zombies, but that's another story.
I guess I was a child actor. Acting was one of the things I did alongside going to school: I'd be playing guitar, I'd be playing soccer, and I would be acting in movies.
I remember going to see those Adrian Lyne films when I was going to see movies in the nineties, and I was jealous he wasn't working at New Line.
I never stopped making pictures. There were times when more of my income was coming from other sources, and I had to devote more time to television and movies and records.
Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.
I worked so hard for so long - I did a lot of movies. I also worked a lot when my kids were smaller, before they were in school.
You know those movies where the people in the audience are screaming, 'Don't go in that door!' because you know the killer is there? Well, it is the same thing with this debt. We know how this ends.
In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.
The one thing about 'Beautiful Creatures,' 'The Host' and 'The Mortal Instruments,' which are all well-made movies, is that they were all infected with a dreadful sincerity.
The real achievement of Woody Allen was that he was making movies that felt very personal, and for a whole group of people, it spoke to them. Then he became an archetype, like Groucho Marx or Chaplin.
