Hollywood movies are run on fear and they don't want to make bold choices. They, generally, speaking want to keep things status quo. That's not really interesting for me.
My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
I wanted to be a political science professor and go to school in Boston. I never wanted to be a big, famous movie star and TV star. It kind of found me.
I grew up with Forrest J. Ackerman's 'Famous Monsters of Filmland' along with a plethora of movie tomes and wanted to write about film with a sense of personality, passion, and humor.
What is a movie star? It is an illusion. It was everything I ever wanted to be, but it became a kind of shell, non? It was what made me famous and got me women. But it wasn't real.
I meet people who are in movies, and the stuff that they write is terrible, but nobody tells them that because they're famous. So I worry that my stuff might be like that, too.
We not only romanticize the future; we have also made it into a growth industry, a parlor game and a disaster movie all at the same time.
I've been watching Michael J. Fox since I was a toddler, basically. I watched all the 'Back to the Future' movies! I've been a fan my whole life.
It's funny shooting movies because you get to see clubs during daylight hours, which no one should ever see - it's not pretty; there's a reason the lighting is dim in there.
Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.
When I was a kid, there was no distinction between a movie about old people or young people. It was either funny or not. It was either entertaining or not. It was either exciting or not. It was either thrilling or not.
I had seen movies before that that had made me laugh, but I had never seen anything even remotely close to as funny as Richard Pryor was, just standing there talking.
It's funny that people think because you don't have a movie or record out, you disappear into a frozen chamber someplace. They think you're dead when you're not in the public eye.
Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something.
I'm a pretty funny guy, and I would love to do a comedy with a bunch of funny guys - movie-star guys, where they could help me through it.
I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.
It's a required part of your film history to know who Woody is. His movies are so wonderful, and not just funny but so insightful about human behavior.
I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.
There's this unspoken club where you say to each other: Oh God, if they only knew how ordinary I was, they wouldn't be interested. That includes movie stars and politicians.
When I watch a movie that I've been in, I'm watching it, but I usually remember what I was doing at that time, what was going on in my life.
As a jobbing actor, I never get a script and go 'I can't be bothered with this.' Life doesn't work like that. For a movie star, maybe, but for a jobbing actor, that doesn't happen.
