All the traditional models for doing things are collapsing; from music to publishing to film, and it's a wide open door for people who are creative to do what they need to do without having institutions block their art.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has ...
Roman Polanski is a man who cares deeply about his art and its place in this world. What happened to him on his incredible path is filled with tragedy, and most men would have collapsed. Instead, he became a great artist and continues to make great f...
I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show ...
Acting is secondary - I don't feel like it's going to stick around because it's not something I want to do forever. My art has always been my top priority and I have far more experience in that field than I do in film.
Filmmaking is a completely imperfect art form that takes years and, over those years, the movie tells you what it is. Mistakes happen, accidents happen and true great films are the results of those mistakes and the decisions that those directors make...
You'll see more violence in any television crime series than you will in my films... Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing.
All movies are pure process. A commercial movie isn't less process than an art movie. You can't make your decisions about a film on the basis of, 'Is it important enough? Is it serious enough?' It's either alive or it's not for me. If it's alive, I w...
When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
I'm very happy to be a part of a very successful piece of art, as the 'Saw' films have been. One gets into this to participate. It's the coming together of a good story. So, that aspect of it has been just splendid. It really has nothing to do with m...
The 'low' quality of many American films, and of much American popular culture, induces many art lovers to support cultural protectionism. Few people wish to see the cultural diversity of the world disappear under a wave of American market dominance.
I began my career creating art for an animated feature film, and it has been a life-long dream to tell some of the story of my own life - the story behind my art - through the medium of motion pictures.
Processions, meetings, military parades, lectures, waxwork displays, film shows, telescreen programs all had to be organized; stands had to be erected, effigies built, slogans coined, songs written, rumours circulated, photographs faked.
All of my most significant moments somehow involved music. It's like my life was a John Hughes film and somebody had to put together the perfect soundtrack.
I've been very lucky in my life in terms of people who are able to tolerate me.
Difficult for actors to extemporise in nineteenth-century English. Except for Robert Hardy and Elizabeth Spriggs, who speak that way anyway.
(On period costume posture coaching:) "We all stand about like parboiled spaghetti being straightened out.
I don't . Religion? Humans desperate to take out infinity insurance. Death? The great big . Love? Dopamine released in the brain, which gets depleted over time, leaving contempt.
Women of Manhattan, magnificent as they were, they forgot sometimes they weren’t immortal. They could throw themselves like confetti into a fun-filled Friday night, with no thought as to what they fell into by Saturday.
It is wrong to assume that art needs the spectator in order to be. The film runs on without any eyes. The spectator cannot exist without it. It insures his existence.
