In spite of being professionally gregarious, in my nonpaid hours I'm a bit of a hermit. After being around a crew of fifty people for twelve hours a day on a film set, I really like my alone time, and as always, I abhor small talk.
A singer can quit once he or she has made ten great songs; a director can finish once he or she has made five amazing films; a writer just needs to write three great books.
As a fan of the books, I feel fortunate to be part of 'The Hunger Games' family. It was an amazing experience; I am proud of the film and my performance. I want to thank all of my fans and the entire 'Hunger Games' community for their support and loy...
I was so happy that it filmed in New York not only because it's an amazing city, but also because a lot of people across the world somehow started to think about New York as a dangerous place to be and envisioned it as some war zone after that happen...
I did 'Lonely Hearts' with John Travolta and James Gandolfini. Talk about getting over your fears. These guys were amazing! Also, Cuba Gooding, Jr. is one of my favorites. We've made 3 films together. He is such a generous, giving actor.
There is nothing like the way people feel after they've seen 'The Intouchables.' They feel amazing. The word of mouth on this film is incredible. It's intelligent-feeling good. You're not insulted by the low-browness or stupidity of some of the humor...
I remember when I took Quentin Tarantino with me to a very private screening of the documentary 'Roman Polanski: Wanted and Desired,' which shows some of the legal irregularities of his case. I was involved by the film, and it was an amazing experien...
My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theo...
It's wonderful to be appreciated for being quirky, and to see Zooey Deschanel and the quirky, indie film types get mainstream play is amazing for women, because women are much more complicated than what we've see on TV in the past.
The thing about this business is that you always end up finding these amazing stories and these amazing people who make amazing films. I just want to work with good people and keep challenging myself with different kinds of characters.
I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
Usually in France we prefer to say bad things about the Nouvelle Vague, but I'm always impressed with its freedom and the fact of not making a film to give your opinion but just as a piece of art, which to me means the Nouvelle Vague.
Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
As much as we'd like to believe that our work is great and that we're infallible, we're not. Hollywood movies are made for the audience. These are not small European art films we're making.
As far as I have been able to understand, the Japanese seem to keep things close to the vest. Friendly but remote and polite to the point of being invisible. It is in the music, literature, film and art that the Japanese really seem to express themse...
I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.
I love the art of acting, so whether I do it on film with a million people seeing me or I do it in front of 20 people in a class showcasing my art, I am going to act whether anyone sees it or everyone sees it.
So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.
I was ambitious and desperate to direct my first film, so I capitulated and blew it. Never again. Never fucking again.
And then ... perhaps someone will write a book about making a film about a story that is taken from this book which is taken from a real-life story that was copied from a story in a book. You know?
