We do not pray in order to provoke God into action. If this is our view of prayer, then we are no different to the prophets of Baal who felt they had to manipulate their aloof, disinterested and fickle gods. Instead we pray because we have a God who ...
There is a value in repetition. When we repeat certain phrases and even actions, like fingering prayer beads, we create a quiet rhythm within our spirits. The beating of our heart is a repetition as is the rhythm of our breathing. All of life has its...
Your pain is not prescribed by your creator, He is the healer thus not giver of misery. We are victims of others; lay the blame where it belongs. Mankind is responsible for its environment and culture, the earth was in its purest form when Adam arriv...
One example of an uniquely Sethian approach towards initiation is for the initiate to regard his or her own life with the same urgency and need experienced as in a war zone in which every move and action must be weighed yet determined swiftly, as nec...
Eighth Doctor: I love humans. Always seeing patterns in things that aren’t there.
Being a mother was like being trapped in the first fifteen minutes of a horror film. Everything was fine, lovely. But there was this persistent sense of dread.
I came on to the film with a very happy-go-lucky attitude which I think my character, Charlie, did when she went into the house. I expected it to be good, and then slowly things started to change for us all.
I think the height of ridiculousness was when I was playing Elizabeth in 'The Golden Age' while preparing to start shooting 'I'm Not There.' I literally finished filming Elizabethan grandeur on Friday, flew to Montreal, and started being Bob Dylan on...
I think at the age I'm at, it's really hard for a film career, and I'm at a point in my life where I thought it would be a good idea to be a part of a good show and to be able to finish school.
I think that distributors and marketing companies realise that there are a huge number of women over 40 who want to go the cinema and see films about themselves. Women of my age don't want to be force-fed with stuff about 25-year-olds.
With portable cameras and affordable data and non-linear digital editing, I think this is a golden age of documentary filmmaking. These new technologies mean we can make complicated, beautifully crafted and cinematic films about real-life stories.
'Pearl Harbor' is definitely about December 7, 1941, but it is not of December 7, 1941. It's not even really of our age, either. It has more of the feel of a film from, roughly, mid-war.
My father came to Chennai at the age of 16 from a village in Coimbatore. He was an artist and was clear he wanted to do something, so he came to Chennai and joined an art course for eight years before he came into films.
I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
Storytelling helps us understand each other, translate the issues of our times, and the tools of theater and film can be powerful in helping young people to develop communication/collaboration skills, let alone improving their own confidence.
The narrative that Peter Jackson has put into 'The Battle of the Five Armies,' it stands alone as a film. Rather than just finishing off the story, it's like a whole new adventure all of its own. I'm very excited about it.
If the First Amendment means anything, it means that a state has no business telling a man, sitting alone in his house, what books he may read or what films he may watch.
One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.
And my first film was Carnal Knowledge, another amazing experience, largely because of Mike Nichols, who would tell me you can't do anything wrong because you're doing everything right.
It's amazing that for actors mostly, it's a risk to attach yourself to a film that you don't know whether or not it's going to even be made and if you sign on, in doing so, who else is going to be in the movie with you.
United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?
