I think it's so strange that certain people think they know you because you've been in a film. It's very flattering, but it's also very scary.
I guess we're all lucky to be in this profession where you can be someone else for two or three months on a film shoot. I find it restful. Vachement agreable.
I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.
It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
I find that as long as I'm acting it doesn't matter if it's for TV, or a series or a short film. I always have fun no matter what I'm doing.
'Apocalypse Now' poses questions without any attempt to provide definitive answers, and the film's profound ambiguities are integral to its enduring magic.
I don't know what to do with myself between films. I end up doing unhealthy things like shopping or drinking. I'm pretty schizophrenic about it.
I admire a lot of Spanish filmmakers and actors. I grew up watching a lot of Spanish films and novellas, and there's just so much talent out there.
Good film, television, or music keeps you awake, anxious for the next movement or act, and wanting more when it is finished.
Also the wonderful thing about film, you can see light at the end of the tunnel. You did realise that it is going to come to an end at some stage.
When I first heard of it, I thought it was a horror film. 'Teenage Mutant Ninja Turtles' is such a strange name. I wasn't into the comic books at all.
I did a film called Dracula and it was very nice because I had lots of trips to New York on Concorde.
I watch these old films in black and white, and suddenly the door opens, and there I am. The other day, I was wearing the most awful hat.
Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper.
I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.
I don't want to play second leads or third leads in a film. I started working at 17. I still have a long way to go.
No doubt zombie films are dumb, but I find it impressive that zombies can hold a camera relatively steady, let alone write a screenplay.
Intelligence Forecast of the Week. Coming soon: the bloodiest film ever – nothing but close-ups of red blood cells, plasma and platelets.
The process of being filmed was, I found, peculiar but not discomfiting. At 13, you are malleable, adaptable, better able to take the unusual in your stride.
I do what I do because of Walt Disney. Goofy. Mickey Mouse. I never forgot how their films entertained me.
I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining.
