I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.
Filming is always a challenge because I'm not used to it. But I approach it head-on. I'm not technically brilliant, but it's the spirit that counts.
It irritates me so much the way people talk about soaps because it is far more difficult working on a soap than it is on a big studio film.
No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled.
With a film, you have to pare down and take stuff out and squish it all down into a 110 page script.
I'll be with The Goat until the fall. Then I've been given three plays to look at and there have been a couple of films have come over the desk. I will probably not do either one of them.
My phrase has always been that I am looking for the versatility of theatre in film. I think I have been quite lucky in that so far.
As we were leaving the Huron camp, it was awkward filming. I think that the Huron watching us was there to create tension - maybe we wouldn't get out. Nothing complicated.
I always wanted to make a film that had this sort of Chinese-box effect, in which you keep opening it up and opening it up, and finally at the end you're at the beginning.
When you grow up on film, people sometimes have difficulties accepting the fact that you are growing up. They always imagine you younger.
I made a film that was impossible to make, but I didn't know it was impossible, and that's how I was able to do it.
I think it's easier to make a film with 200 million dollars than 960 grand.
I want people to come see my films and enjoy them but at the end of the day you can't control what people think.
I think I might like to try film again just as an experiment, but I know that I could never do the mainstream thing again.
But I've worked where they've had animals before, and animal wranglers, the people who raise animals and train animals for films and television, they're all very, very professional.
It is not easy to get parts in mainstream films for most people of color. Hollywood and British writers are not writing parts for us, or the directors are not interested in casting us in parts that are color-blind.
I want to do primarily film and theater; I always want to do a play because it feeds my soul. It's like an exercise on stage.
When I start a movie, there will be certain films that I watch again just because the vibe seems right.
Film acting is one of the only industries where you're criticized for working hard. In any other industry, it's considered a quality and something to behold.
Film has lost something in the translation to high tech. It's become so super-real. It's with digital this and stereo that, and everything's like a CD.
I think it's important that we have a new batch of British film-makers that aren't doing the same old stuff. And that includes me.
