If only every man who sees my films did not get the impression he can make love to me, I would be a lot happier.
I played a definite part in it. I guess the things that I played in films and the way the nudity and the love scenes were handled were really different.
I would love to be able to play some characters on television that are similar to some of the indie film roles I've done, that have been so close to my heart.
I started modeling and after a while the photographer Bruce Weber introduced me to Joel Schumacher, who cast me in my first film, and I just fell in love.
I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.
Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money.
I'd love to work with the people who really got the film industry going again through the '70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi.
Boy, I'd hate to shoot on tape or disc or whatever the hell they're talking about. I love film.
I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well. I'd love to be able to do a mixture.
I would love it if my films made a lot of money, and may I say that 'The Yards' is the only one that's lost money.
I'm a theater actress. I love rehearsal. I could have six weeks of rehearsal and think it's not enough. But on film, you don't get that luxury.
I did my very first film with Kirk in Detective Story when he was the greatest, greatest star in the world. I fell in love with him, had a crush on him then.
I knew by heart all the dialogue of James Dean's films; I could watch Rebel Without a Cause a hundred times over.
Most actors hate watching their own films because all you can see is the glaring mistakes, your own tricks and ticks.
I don't adjust my training for any of my opponents. I don't watch films on my opponents.
I find it very interesting these days that films are bringing in so many people of different ethnicities, and I'm proud to be a part of that cultural shift.
Without deviation from the norm, progress is not possible. -Frank Zappa, composer, musician, film director (1940-1993)
I think the clothes in Belle de Jour are very important to the style of the film. Even today, it is still timeless.
I think it's counterproductive for actors to come to the set with well-thumbed copies of the book their film is adapted from.
I think that two-dimensional film will always be here to stay because it always has its place, but 3D does too.
I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be identifiable.
