Such is the disconcerting miracle of good acting; at its best it implicitly challenges our faith in who we are, who anyone is.
Daniel Day-Lewis and Sean Penn to me are the two best actors of all time. I'm just glad to have the pleasure to be in an era that they're acting while I'm acting. They're probably the best actors in my mind.
Acting has always been something I've wanted to get into. I think the best models are actors; you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition.
It's not the easiest thing in the world to act with Harry - we are very close. I'm not saying it won't ever happen again but it's best to work with other people. There are no professional boundaries at which to stop when you act with a sibling.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.
I can tell the difference between the acts of a man and the acts of God. That's why I still believe. I could always tell the difference.
To create today is to create dangerously. Any publication is an act, and that act exposes one to the passions of an age that forgives nothing.
No hard guy's not scared when another hard guy's knife is coming at you. You're scared, obviously, but you've to act less scared than he is. It's who is going to act less scared.
America has to act. But, when America acts, other nations accuse us of being 'hegemonistic', of engaging in 'unilateralism', of behaving as if we're the only nation on earth that counts. We are.
I was directing before I started doing 'The IT Crowd.' It wasn't something that led on after acting I guess. I was sort of doing this stuff before acting.
I don't see it as a form of healing, because if you have wounds that are bleeding I don't think acting will ever get them to stop. But I find acting is a form of illumination.
For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
Also, if you watch the film once, there are lots of things that you won't get because there are punch lines in the first act, the setup to which isn't until the second act.
My advice today, to established acts and new-coming acts, is the same advice I'd give to myself: pause for a minute, and really think about 'What is your goal? Where do you see yourself?'
you act out what it feels like to be the one who doesn’t belong. And you act it out by trying to do to others what has been done to you.
I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.
The threshold of the Dream Act is not high enough. One year of community college is not enough... No, I do not support the Dream Act.
At this point, I feel fairly comfortable in terms of performance. I think having a sketch background actually helps a lot. Because my background is acting, and stand-up, in a lot of ways, is acting.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
All in all, the creative act is not performed by the artist alone.. the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
