About Will Self: William Woodard "Will" Self is a British author, journalist, political commentator and television personality.
I think I now understand why it is that the young are so very nostalgic. They have so little by way of personal history that they polish it up and make it shine like a treasured heirloom.
I loathe computers more and more, so I have one I can shut down and shelve like a book.
The whole aesthetics of computers very much feeds into my OCD. They fill my head with obsessionalities and my actions become very repetitive. It seems quite inimical to the dreamy state out of which fiction comes which seems so much less causally rep...
In survey after survey, people report that the greatest dangers they face are, in this order: terrorist attack, plane crashes and nuclear accidents. This despite the fact that these three combined have killed fewer people in the past half-century tha...
Death, the real simile for disease - for when we are ill, do we not always feel like we are dying, even if it's only a little? - remains, despite our secularism, the most metaphoricised phenomenon of all.
You may have gathered that I am not the most cheerful of revellers - some characterise me as the death and soullessness of any party but it wasn't always so, believe me.
That tertiary education is under a sustained assault by a political and - it often seems - social consensus that equates all education with training for increased productivity, only makes academe a still more promising environment for a contrarian.
One of the most heartening phenomena in today's Britain is the great diversity of the modern nerd - the nerd is out and proud, and while she may love 'Buffy the Vampire Slayer' merchandise more than is strictly warranted, she is in every way to be ch...
I can't remember who it was who advocated that you should march with the left and dine with the right but I've often concurred, taking the view that I personify the great tolerance of Britain by consenting to being regally entertained. Besides, there...
The great liberty of the fictional writer is to let the imagination out of the traces and see it gallop off over the horizon.
Ideologists of all kinds find a strange sort of comfort in the madness of the crowd; it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive indiv...
You don't need to know this - but here goes: due to some acquired infantilism, I feel compelled to fall asleep listening to the radio. On a good night, I'll push the frail barque of my psyche off into the waters of Lethe accompanied by the midnight n...
Nowadays, my mood ungoverned, I'm free to think the most outrageous things, such as: might it not be a good idea to insist that drug companies give their preparations names that tell the user what they really do?
I can't throw anything away. Anything. I'm going to end up like one of those old weirdos who lives in a network of tunnels burrowed through trash - yet I do not fear this.
Certainly, for time out of mind, an obsessive dwelling on happier former days has been synonymous with getting older, while it was the juvenescent who rushed with open arms to embrace the future.
Many of my works fall into the category of 'Zeitgeist novels'. Yet I hope that they aren't only reportage, but also attempts to convey the sense of the present to the future.
Not only is the statistical madness an assault on individuality, it's also one on temporality too. Statistics - even when accurate - are only an image of the past that can then be Photoshopped before being pasted on to the future.
The future continues to preoccupy me as a reliable source of hopes, fears and anxieties, but increasingly the present seems to have no outstanding qualities of its own, being merely a way-station through which events travel to the vast shadow lands o...
Live life and write about life. Of the making of many books there is indeed no end, but there are more than enough books about books.
The paradox of modernism is, writers make the decision to work with the continuous present, and to work with... stream of consciousness, as it's called, for emotional reasons, and the main emotional reason is verisimilitude. I mean, this is what surp...
When anyone starts out to do something creative - especially if it seems a little unusual - they seek approval, often from those least inclined to give it. But a creative life cannot be sustained by approval, any more than it can be destroyed by crit...