I like change. I don't like being in the same room for too long.
A 65-ft.-wide screen and 500 people reacting to the movie, there is nothing like that experience.
Personally, I find looking at all of the supporting materials and bring it all back to me - the people I worked with, the experience of working on a project - makes it come alive again. So, I try to put those experiences into my commentary for the vi...
There's a tired notion that the photojournalist has to be disengaged to be able to shoot what he shoots, and that's such a cliched idea of what the experience is. Of course they're engaged, and they're not distanced.
Miami is one of these great places that is a really sensual, physically beautiful place.
Dillinger at one point was the second most popular man in America after President Roosevelt. And he was a national hero for a good reason. He was robbing the very institutions, the banks, which had afflicted the people for four years, and after four ...
We bring our preparation to the table, and opportunity may present itself, and if you are well prepared, you can seize opportunity and then maybe something good happens, and you call that luck.
I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.
There's people who live life authentically and there's people who live a life of fabrication. And it begins with the question of how you're gonna do your time. And these are observations I made about Folsom when I was there with Dustin Hoffman when h...
Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I c...
By the time I was 21, I knew what I wanted to do, and that was to direct films.
What I try to do - I mean 'try,' because you don't get there all the time - is to have impact with content. It's those moments in which you're trying to bring people beyond filmed theater. If I have an ambition, it's that.
I see the world from the perspective of a 5'8" person, not someone who is 6'4". so naturally, I'm going to choose certain lens heights over and again... Sometimes nature makes choices for you.
When you say that I can go and make a movie, I feel like I'm one of the most fortunate men. I feel myself to be a fortunate man that I found something to do that I really love.
Music is always key to me, whether it's 'Miami Vice' or not 'Miami Vice.' It's dictated by the story, about what Crockett and Tubbs and Isabella and Trudy are doing.
