The artistic disposition is little more than an extreme form of sulking.
Tattoos, after all, are a passionate, usually doomed assertion of mastery of your own destiny, or at least a defiant embrace of one that you cannot control.
At the dawn of the second decade of the Twenty First Century, masculinity has been rendered so self-conscious in our mediated, mirrored world that even ‘regular guys’ are apparently just a fashion fad – this season’s accessory.
Is there a support group for people who didn’t like ‘Brokeback Mountain’? We must, if the rave reviews and the newspaper reports are to be believed, be a very tiny — not to mention vulnerable — minority. Am I dead inside because I didn’t ...
Of course, fashions come and go but metrosexuality isn’t a fashion – it’s an epoch. It represents a fundamental shift in what men are allowed to be and to want. Men are now permitted to be ‘passive’ – inviting our gaze.
In the 21st century men’s tits have not just rivalled but replaced women’s as the touchstone of ‘sexy’ in mainstream pop culture, even when the audience for them is other men.
In a spornographic age it’s no longer enough for the male body to be presented to us by consumerism as merely attractive, or desiring to be desired, as it was in the early days of nakedly narcissistic male metrosexuality. This masculine coquettish-...
Contrary to what you have been told, metrosexuality is not about flip-flops and facials, ‘man-bags’ or ‘manscara’. Or about men becoming ‘girlie’ or ‘gay’. It’s about men becoming everything. To themselves. In much the way that wome...