My trainer is with me all day. We train before I come to work, and then I just keep training all day.
To be able to work with people who I have respected and admired, to be a part of something like the Cannes Film Festival, is surreal and brilliant.
Voices are always a challenge. I always have to work at each accent I do.
When you get to work with people like Ian McKellen or directors like Peter Jackson, you sit and watch.
When I was focusing on theater, I would go on for months without any work and could hardly pay the rent.
I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script.