About Jim McKay: James Kenneth McManus was an American television sports journalist.
When you make work, your goal might not be first and foremost to have as many people as possible see it, but it might be more about honing your craft as a storyteller or making art, but, there's no doubt about it, you want lots of people to see it.
So, when you see a kid with ratty jeans on, wearing sneakers that aren't clean, you know they're in a certain place economically. I was interested in that experience.
If you're a kid who's not necessarily attractive, and you don't have money, and you're not hip and cool, chances are you're not going to feel good about yourself and want to be an actor.
Working on the film really made me confront my opinions about change and gentrification.
Kids - in a really good way - can talk about their differences without the baggage that adults have.
Dick Enberg is still around and still being as good as he ever was.
I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's wh...
I think there are some very evil things about gentrification.
Right now the thing that I have learned the most is to be grateful that I have finally gotten to a point where I am being paid to make films, after eight years.
One day I had an idea for a movie. Everything came after that.
This thing that Colin Powell's son is expected to do is kind of scary when you think that television and radio and newspapers are what make people think what they think.
Initially, it was about kids at the bottom rung of the social ladder, due to their looks and their class background. But they're also outsiders in terms of their peer group.
How you define yourself is a major issue for young people and adults alike.
On one hand, as a filmmaker, I don't want to make a movie with guns everywhere.
I like the way Wiseman builds a story in an unconventional way.
I still haven't figured out how to have fun on a shoot.
I was the first voice of Baltimore television in 1947.
Of course the Munich tragedy was the biggest event in my career and the most terrible.
But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.
There are a lot of people who like to think they don't have prejudices and that they're open people, and yet, we all have that in ourselves, oftentimes against people of our own race or our own gender or whatever.
