About Jennifer Gilmore: Jennifer Gilmore is an American novelist.
As writers, we don't just need to write about poverty or war or the immigrant experience.
History releases me from my own experience and jogs my fictional imagination.
I couldn't really experience being an author when I was still working in publishing - I was trying to negotiate being both. Sometimes the knowledge doesn't translate between the two roles.
My father is an economist who specialized in foreign food policy, and my mother worked for AID, a branch of the State Department, so food in regards to world affairs was talked about a lot.
I think publishing's strength is also its weakness. It's got such a rich and celebrated history as an industry. For the most part, publishing people are incredibly creative, business is done based on the strength of relationships, and the product bei...
It would be a lie to say that people are coming to adoption with joy at all times. Hope, perhaps, but it would be disingenuous to say that every part coming to an adoption isn't seriously grieving.
I want to say that, in general, when it works, open adoption is great.
The birth mother is placing the baby out of love. I still believe that. Well, the ones we've dealt with who were actually pregnant, anyway.
I wanted a baby of color, to be honest, because I wasn't attached to the idea that I look like the biological mother. I liked the idea of the adoption being clear; it was and is not something I am interested in hiding.
I think that when the world feels safe and secure, we probably feel more that way in our personal lives. What goes on in the world affects us, unequivocally.
The world is a dysfunctional place in so many ways. It is unstable. So even though that chaos can be reflected in our own homes, I suppose we have to fight that by creating our own versions of safety, which can also turn into ignoring the state of th...
While I am very much Jewish 'identified,' I'm not a very religious person.
With domestic adoption, you get a form, you fill it out, and there are these boxes: African-American, African-American and Hispanic, and you check the boxes that you're comfortable with. Race is completely open in that regard.
I will say, in open adoption, all these choices you make about race, about the amount of mental illness you can deal with, about special needs and physical maladies, you have to lay all this out there before you know anybody's story.
The process of open adoption is not discussed in the way it should be. Everyone I know who has adopted domestically has at least one tragic story. It was important to me to be able to describe those situations.
I really don't feel that writing is therapy.
Publishing in a way doesn't have a lot to do with writing, and writing doesn't have a lot to do with publishing.
I feel sometimes like a book tour is a slow series of humiliations and that if you're strong you'll come out of it OK.
What is it about the blank page that makes me want to hurl myself into a game of solitaire? I ask myself these kinds of questions while I'm playing solitaire.
I find I have to touch what I am working on every day, or a deep-seated dread kicks in that is very hard to overcome.
