About Ivor Novello: David Ivor Davies was a Welsh composer and actor who became one of the most popular British entertainers of the first half of the 20th century.
Love-making is an art which must be studied.
A couple of seats at a good picture house cost comparatively little but give a generous return in the shape of freshened minds and freedom from the worries that even the best regulated homes cannot always avoid.
A visit to a cinema is a little outing in itself. It breaks the monotony of an afternoon or evening; it gives a change from the surroundings of home, however pleasant.
Television, they say, will permit a person to be entertained at home, without the effort of going to a picture house, without the trouble of booking seats, without the presence of other people.
I began my career with infantile dreams of becoming a composer.
There is an atmosphere about the picture theatre that speaks of entertainment and relaxation. The charming surroundings, good music, and the fact that each visitor is determined to enjoy a few hours of holiday all exert an influence on the mind.
Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
The inconvenience, the glaring lights, the long hours of waiting, and the repetition of every scene are all calculated to defeat anything more than a real mastery of love technique.
There's something Vichy about the French.
Behind the footlights there is always the applause, which stimulates the actors. On the screen it is a different matter.
British girls are as temperamental as Americans.
Every blessed one of you feels better for that burst of laughter.
The average person is gregarious; there is something in the spirit of the crowd that adds to the enjoyment of entertainment.
The crowd may be influenced easily, largely because it is a crowd.
The public must suffer untold pangs from the stiffness, the deliberate stifling of emotion, on the part of many British actors.
There are very few misanthropes, thank goodness!
Things which do not require effort of some sort are seldom worth having.
When the cinematograph first made its appearance, we were told that the days of the ordinary theatre were numbered.
You cannot isolate yourself from the crowd - even if you want to.
The beautiful heroine might be thinking, How long must I bury my face on this wretched man's shoulder? Such is not the always the case, but quite often it is.
