About Gilbert Hernandez: Gilberto Hernández is an American cartoonist. He is best known for his Palomar/Heartbreak Soup stories in Love and Rockets, an alternative comic book he shared with his brothers Jaime and Mario.
In the old days, I just could not leave characters alone. Now I just try to keep the ones that still have something in the way of stories to tell.
I grew up when comics were only sold in food markets and news stands, so the direct market is vital to me. The best way to make it stronger is if everybody buys my comics in multiple copies before they buy any others.
I know what a good movie is.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years,...
Reviewers and critics can be overly cynical. If something the least bit sentimental comes up, they'll often start flying off the handle. But I'm like, 'Wait a minute, you've had those times in your life. Everybody has.'
I happen to think Latinas, Latin women, are the most beautiful women in the world. So that's what I'm going to draw. I love women from all cultures, of course, but if I was going to deal with any of them, that would be No. 1 for me.
Dennis the Menace was probably the most realistic comic book ever done. No space aliens ever invaded!
I always felt I was living in two worlds. One was the Mexican world, because nearly everybody I knew, relatives and cousins and kids in the neighbourhood, were Mexican. Then school was a different world. It was ethnically mixed.
It wasn't until school that we realised that we were abnormal.
My two biggest influences are Archie comics and Dennis the Menace.
Our father died when we were very young, so our mother raised six kids. We saw the world filtered through her eyes, being a minority woman raising six kids.
We grew out of the superhero comics, but we still liked comics, so we started putting our own experiences in the stories we were doing for our own amusement.
We were very happy when a South African court, which had previously ruled against us, took another look and decided that this material was not obscene and allowed it into the country.
I wanted to do pretty much a purely boy story, yes. The girls are kind of the bad guys in 'Marble Season', although that wasn't my intention. It's also a world without adults.
Whichever character I'm using and wherever I am in my mind dictates what kind of story I'm going to tell.
I felt like challenging myself and challenging my readers with something darker and heavier. I don't know how to explain it, because I'm not a political person. I have two political stories, and that's it: 'Human Diastrophism' and 'Poison River.'
It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They...
I think I related more literally to the early 'Spider-Man' comics from Steve Ditko because it could be upfront and direct about the problems of being a kid. He captured being a teenager so beautifully.
I grew up being really insecure and dumped on, over-feeling certain things in a negative way. So I thought I had something to prove.
I don't feel so sad when somebody dies, Julio, because they fly away to explore the stars and planets. When it's our turn we join them in exploring the universe.
