What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them.
WorksThe Road To Wigan Pier; Homage To Catalonia; Animal Farm; Nineteen Eighty-Four; Burmese Days; Coming Up For Air; Keep The Aspidistra Flying; A Clergyman's Daughter; Down And Out In Paris And London; Politics And The English Language; The Lion And The Unicorn: Socialism And The English Genius; Why I Write
