The hallmarks of the noir style are fear, guilt and loneliness, breakdown and despair, sexual obsession and social corruption, a sense that the world is controlled by, malignant forces preying on us, a rejection of happy endings and a preference for ...
You his brother?' 'Yes, damn it!' I burst out. "And all I want is to get my hands on whoever did this to him!' 'Funny,' said a dick dryly, 'but so do we.' I didn't like him much after that. Sarcasm is out of place when a man has just been brought fac...
Like the playwrights of the Absurd, Woolrich recognized that a senseless story best mirrors a senseless existence.
The sightseers would have been disappointed, as the real thing always makes a poorer show than the fake. ("I'm Dangerous Tonight")
Men's loyalty to their women dies hard - and almost always too late. ("I'm Dangerous Tonight")
And the blood remembers what the heart has never learned. The approach to kill. ("The Moon Of Montezuma")
The shears found his throat this time. He fell down on top of them and was silent. Something dark like mucilage glistened where he lay. She had jumped back - not in remorse, but to keep the bottom of her skirt clear of his blood. ("I'm Dangerous Toni...
Business after all is a form of warfare; you bring all your available weapons to bear. If you don't you're a fool. ("Jane Brown's Body")
The struggle doesn't last long; it's too unequal. Their momentary surprise overcome, they close in on him. The well-directed slice of a gun-butt slackens the good arm; it's easy to pry the disabled one from around the racketeer's collar. Tereshko is ...
And he's alone there, with the unconscious pilot lying a little way off for company, and some other guy he's never even seen, only spoken to over the radio. He wants to sleep so badly - dying they call it - and he can't. Something's bothering him to ...
A second red-orange spearhead leaps straight at O'Shaughnessy. The whole world seems to stand still. Then the gun behind it crashes, and there's a cataclysm of pain all over him, and a shock goes through him as if he ran head-on into a stone wall. A ...
The portieres were drawn across the French windows now, veiling the stars outside - that were there nevertheless. ("Speak To Me Of Death")
Well, this is the hardest part to believe; look, you can suspend me if you want to, but it's the God's honest truth. This man Tompkins came all the way down to where I was bending over the body at the foot of the stairs. I straightened up and covered...
Maldonado's face was ghastly. 'That' she said, pointing below the bed where the cat lurked, 'and that' - pointing to what lay on the floor - 'prove it was no dream. Do dreams leave marks behind them?' ("I'm Dangerous Tonight")
Go to Zillicks down the block. It has three booths at the back. Go in the middle one and wait. When you lamp me turning the pages of the directory outside, shove your money in the return-coin slot and walk out. Take it easy. Don't let the druggist se...
It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. Yo...
Extreme joy and extreme sorrow are indistinguishable beyond a certain point. ("Jane Brown's Body")
And I still say it was just a coincidence;' he muttered pugnaciously. 'You say it too! Look at me and say it! It was just a coincidence. That happened to be the nearest place on the dial where they both met exactly, those two hands. My blows dented t...
But that's the Way, and there is no other. And once his mind's made up, the trembling and aimless walking stops, and he can look doom in the face without flinching. ("Jane Brown's Body")
Fear! Fear again, for the first time since his 'teens. Fear, that he thought he would never know any more. Fear that no weapon, no jeopardy, no natural cataclysm, has ever been able to inspire until now. And now here it is running icily through him i...
It seems so long ago that he was last afraid of anything. Seventeen, was he then? Eighteen? Sometimes he thinks he's missing a lot by being like this - fear gives life a fillip. He wonders how it is he lost it all, and what there is - if anything - e...
