About Adam Rapp: Adam Rapp is an American novelist, playwright, screenwriter, musician and film director. His play, Red Light Winter, was a Pulitzer Prize finalist in 2006.
I have never successfully written in the third person. If there's a rhythm or a musicality that interests me, I become obsessed with the character, and I just have this need to spend time with him or her. Sometimes I'll be in the park playing ball, a...
I like to write about teenagers because it's such an uncertain and dramatic time.
I don't see a lot of movies that portray the East Village as well as I think they can.
I was a jock in college and high school, but I didn't hang out with the jocks. I was sort of a nerd who didn't look like a nerd. I never really fit into any social set.
I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.
I was born in Chicago, then I spent most of my youth in Joliet, Illinois which is about thirty minutes south, and I went to a military academy for high school in Wisconsin. Then I went to college, on a basketball scholarship to a small school in Iowa...
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, 'Well if I'm going to fight agai...
When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot. It's strange: people have asked me what my schedule is and what is my process like, and I can't even answer it. I don't keep regular hours.
When you're poor, you don't want anyone to know you're poor.
Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things ...
When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
One of the things that concerns me is the lack of adult supervision, and more specifically, caring adult supervision, at various reform schools and juvenile detention centers. I think there's a kind of Darwinian brutality that can run rampant when ki...
My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
Some of the greatest works of theater, from Chekov's work to modern playwrights', consist of just a few people in a room with no one leaving.
The biggest audience for Off Broadway is mostly coming in on a train - either Upper East Siders or Metro-North. I go to the theater, and everyone around me is over 50. How interested will they be in my kind of work?
When I came to New York, I was really awkward. I went to military academy for high school, so I didn't have the socialization that most kids do. When I got here, I was five years behind everybody. Talking to women was weird for me.
I think there is a complicated side effect to overcoming evil in that we are forever changed by it. I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a...
