The artist (I suppose) usually pays for the privilege by some sort of partial insomnia, by the possession of one faculty that will not be controlled nor put to sleep. In a poet this must often be the visual imagination, bringing before his eyes a suc...
When many story-tellers occupy themselves with a social world which offers no great variety of lively action, their stories will probably resemble one another as to many of the major incidents, and if they draw on these limited resources like spend t...
A clever girl may pass through the phase of foolish miss on the way to sensible woman.
As for Elizabeth Bennet, our chief reason for accepting her point of view as a reflection of her author's is the impression that she bears of sympathy between them--an impression of which almost every reader would be sensible, even if it had not the ...
Others beside Jane Austen have made their Eltons, though none quite so cooly as she.
Charlotte Palmer is no sillier than Harriet Smith; and yet, how intolerable we should find it to see and hear as much of Charlotte as we do of Harriet! And would Miss Bates have been endurable if she had been presented in the mood and manners of Sens...
Jane Austen's narrative style seems to me to show (especially in the later novels) a curiously chameleon-like faculty; it varies in colour as the habits of expression of the several characters impress themselves on the relation of the episode in whic...
Few novelists can be more scrupulous than Jane Austen as to the phrasing of the thoughts of their characters.
Jane Austen never repeats herself.
In Jane Austen it was the critical faculty that would not be quieted; and that faculty in her, played on men and women.
Sympathy compounded of liking and compassion in varying proportions evidently seemed to Jane Austen the most natural inventive to imaginative interest in a character.
The sole agents, indeed, in the action of her novels are individual human beings. And the comedy is the outcome of their making fools of themselves and of one another.
I suspect that Jane Austen's practice of denying herself the aid of figurative language which, as much as any of her other habits of expression, repelled Charlotte Brontë, and has alienated other readers, conscious with a dissatisfaction with her st...
Landscapes we must owe something to the eye of the beholder.
A story conducted by the time of a clock and calendars alone would be a story not of human beings but of mechanical toys.
Mannerism, especially when it takes the form of recurrent word or phrase, is by no means easy to represent; there is but a hair's breadth between the point at which the reader delightfully recognizes is as a revealing habit of speech, and the point a...
