In the past an artist produced things that were necessary socially; they were instruments, albeit of a special kind, that helped the dead reach eternity, spells to be cast, prayers to be liturgically fleshed. . . . The aesthetic component of those in...
I should acquaint the reader with the basic principles of the mythology I adhered to then. I believed . . . that inanimate objects were no less fallible than people. They, too, could be forgetful. And, if you had enough patience, you could catch them...
The horse respects and obeys man because its large eyes magnify everything, so man appears much larger than the horse itself.
For what are myths if not the imposing of order on phenomena that do not possess order in themselves? And all myths, however they differ from philosophical systems and scientific theories, share this with them, that they negate the principle of rando...
Of the two powers, the two categories that take possession of us when we enter the world, space is by far the less mysterious. . . . Space is, after all, solid, monolithic. . . . Time, on the other hand, is a hostile element, truly treacherous, I wou...